Three Smiths

Right in the middle of Helsinki city center stands a Felix Nylund statue called Three smiths. Helsinki art museum introduction:

"The statue was commissioned by the Pro Helsingfors foundation, which donated it to the City of Helsinki. Felix Nylund (1878-1940) entered a sculpture with a smith theme in 1913 in the competition for the J.W. Snellman memorial. In 1919, Nylund made a drawing where the three smiths are placed on top of a 10-metre column. Although these early plans were never realized, Nylund reapplied the theme in the `The Three Smiths' which was to be placed in front of the Old Student House.

The `Three smiths' has been interpreted to symbolize, for instance, human labour and cooperation between people. The model for the master smith was Paavo Koskinen, a brick layer. The facial features are from the poet Arvid Mörne. The smith raising the hammer is a self-portrait of the young Nylund, while the third smith was modelled on the stone cutter Aku Nuutinen, an important assistant of Felix Nylund's. The statue is realistic with tones of Classicism. The statue is cast in bronze and its pedestal is red granite. The Latin text "MONUMENTUM - PONENDUM - CURAVIT - LEGATUM - J. TALLBERGIANUM - PRO HELSINGFORS A.D. MCMXXXII" is inscribed on the pedestal."

Three smiths

Three smiths

Symbolizes human labor and cooperation? Yeah, right.

There are two layers of esoteric symbolism in this statue. If you know anything about Freemasonry and masonic symbolism, you should be able to notice this one common masonic symbol - the hammer.

Masonic symbolism: Three hammers

Masonic symbolism: Hammer

Masonic symbolism: Hammer/gavel

There's a reason why this statue has three smiths and one of them is called the master smith. This is a reference to the original masonic grade system, which had only three grades, and the highest grade was called master mason. Today these three lowest grades are called the blue lodge.

Hammer has a part in the initiation ceremony of the third grade. In this ritual, the candidate gets struck by a hammer.

Masonic symbolism: Hammer and the initiation of the third grade

The origins of the hammer symbolism in the masonic context goes back to the myth of Tubal Cain.

"Tubal Cain has been consecrated among Masons of the present day as an ancient brother. His introduction of the arts of civilization having given the first value to property. Tubal Cain has been considered among Masons as a symbol of worldly possessions." - Albert Mackey

"The Mason must 'follow in the footsteps of his forefather, Tubal-Cain, who with the mighty strength of the war god hammered his sword into a plowshare." - Manly Palmer Hall

Tubal Cain and a hammer in front of the UN building in New York

On esoteric level, the symbolism of the hammer is about shaping the world into the liking of the "Elite". This is communicated loud and clear in the famous Fabian Window in London School of Economics. Hammer has become the symbol of the socialist (collectivist) agenda of the "Elite".

Fabian Window: Hammering the world

Other examples of hammer symbolism:

Hammer in the USSR emblem

Hammer and the masonic compass in the East-Germany emblem

The pope and the hammer

And of course the products of the entertainment industry of the "Elite" are sometimes depicted with the hammer:

Pink Floyd and the marching hammers

The Beatles, the hammer and three nails on the head - subtle masonic symbolism

Let's go back to the Three smiths. The second layer of hidden in plain sight esoteric symbolism is about tarot. The statue depicts the card Wheel of Fortune.

Three smiths:

1. The pedestal is of round shape.
2. The statue has three characters.
3. One of the smiths is a leading master smith
4. The master smith holds an iron bar.
5. There is text on the round pedestal.
6. The statue is in front of a book store and a former university building.

Wheel of Fortune:

1. The wheel is a round object.
2. The card has three characters.
3. One of the characters, the sphinx, is at the moment a ruling figure. (The one at the top.)
4. The sphinx holds a sword, which was once an iron bar.
5. There is text on the round wheel.
6. There are four characters in the corners reading a book.

In mythology we have many gods with hammers. In Fenno-Scandinavia the hammer was the symbol of Thor / Ukko (Finnish version). Both were thunder gods.

Thor's hammer

Ukko's hammer
(Finnish word for thunder is ukkonen)

In ancient Greece the smith god was called Hephaestus. In Rome he was called Vulcan. They were the gods of the volcanoes. An erupting volcano was considered as Hephaestus/Vulcan at work.

Hephaestus / Vulcan

The volcano god at work

What very few people seem to know, is that all the smith gods are based on the oldest of them all, Goibniu of the Irish mythology. He was the blacksmith of the tribe of the goddess Danu - Tuatha de Danann.

Goibniu

The Shipwrecked

At Tähtitorninmäki, Helsinki, stands a sculpture by Robert Stigell called The Shipwrecked. Helsinki Art Museum introduction:

Robert Stigell (1852-1907) made a plaster sculpture on the shipwreck theme already in the beginning of the 1890s. In 1893 he offered a bronze cast of it to the City of Helsinki to be used as a public monument. In 1897, the City signed an agreement with the sculptor, and Stigell finalized the work, over 4 metres in height, in Paris between 1897-1898. The sculpture was also cast in Paris.

The sculpture depicts a shipwrecked family. The father, the central figure in the group, holds a small child in his arms and is calling for help. He is waving a scarf and looking towards their rescuers. Another child, a small boy, is stuck in what remains of the ship. The mother has collapsed and is lying on the raft. The work does not depict a particular shipwreck nor is it historical; Stigell was merely interested in exploring the sculptural dynamics of the subject.

'The Shipwrecked' has been offered various symbolic meanings, none of which originate with the artist himself. Leo Mechelin, the speaker at the unveiling on November 18, 1898, made a reference to the difficult political conditions of the years of Russian suppression and to a promising future for Finland.

The sculpture faces West which has also been interpreted symbolically. The location of the sculpture was debated still in 1898, at least in the newspapers. According to one suggestion, the work should be placed near the Kappeli restaurant in the Esplanadi park and complemented with appropriate floral arrangements. A committee appointed by the City finally decided to place it on the square on Tähtitorninmäki, as Stigell himself had requested.

See how the ships coming and going to Helsinki center can be seen right behind it? That's one clue to the symbolism at hand. Once again we are looking at a statue with hidden in plain sight tarot symbolism. This one depicts the card Death.

The Shipwrecked - the statue:

1. The people are shipwrecked, in other words, in risk of death
2. The statue depicts two grownups and two children
3. One grownup is standing, and the other one is laying down
4. One child is looking up with curious face
5. The other child is looking away
6. The father has made a flag and waving it
7. You can see ships behind the statue (harbor area)

Death - the card:

1. Death comes to the people in a form of a rider.
2. The card depicts two grownups and two children
3. One grownup is standing, and the other one is laying down
4. One child is looking up with curious face
5. The other child is looking away and turning her head
6. Death is holding a flag
7. You can see a ship on the background

More examples of hidden in plain sight tarot symbolism on page Esoteric statues.

The three tarot statues of the Princes of Masonry

Readers of this blog know my home country's capital, Helsinki, is full of public statues with hidden in pain sight tarot symbolism. It's not only that these statues are covered with specific symbolism, it's also how these statues are located, and how they form patterns on the map.

As mentioned in previous post, the statue of Marshal Mannerheim is exactly 1000 meters from the statue called The Law. The former represents tarot card Chariot and the Moon, the latter card Strength and the Sun. (Details on post Equestrian statue of Marshal Mannerheim)

Statues of the Sun and the Moon exactly 1000 meters from each other
(Mannerheim statue on the left, The Law on the right)

Interesting addition to this fact is another tarot statue called Elias Lönnrot memorial, which represents tarot card The Devil ruled by Saturn. Just like the statue of Mannerheim, Lönnrot memorial is also exactly 1000 meters from the statue called The Law. If that's a coincidence, it's a hell of a coincidence.

Lönnrot memorial and The Law - exactly 1000 meters from each other
(Lönnrot memorial on the left, The Law on the the right)

But the "coincidences" are not over yet. You can see the masonic fingerprints, if you calculate the angle these three statues form. With a very small margin of error, they form an angle of 32 degrees on "the corner of the Sun":

As stated before, in masonry the numbers 32 and 33 represent "the Princes of Masonry" - the top of the top of Freemasonry.

Masonic symbolism: Double-headed eagle of the 32nd degree 

And finally, the last detail to make it absolutely clear we are looking at the works of Freemasons. These three statues represent the tarot cards ruled by the celestial bodies of the Moon, the Sun, and Saturn - also known as Is-Ra-El.

Masonic temple represents Solomon's temple. Freemasonry has it's roots in early Judaism and the Cult of Aton

Cult of Aton - part 11: Gaonim and the Princes of Masonry

According to the official history of Freemasonry, the origins of the brotherhood date back to 14th or 15th century stone masons and their building societies. This is the story "everybody knows". Too bad it's not true.

The official history is nothing more than a cover-up story to hide the fact, that the origins of Freemasonry go way back to ancient history. Most importantly, it hides the fact that Freemasonry is a branch of the Cult of Aton.

"The theory that our fraternity had its origin in the building societies of the middle age is sufficiently disproved by our ritual itself, which has many features that are totally inconsistent with any such theory, and point to a far more remote era; although many things relating to operative masonry were no doubt then ingrafted on it." - Robert Hewitt Brown, 32nd degree mason (Stellar Theology and Masonic Astronomy)

"Masonry was derived from Egypt, and more specifically from the court of Pharaoh Akhenaton, Egypt's great rebel monotheist" - Ralph Ellis (King Jesus)

It's not really that much of a secret, that Freemasonry has close ties to Judaism. The masonic temples are called Solomon's temples, and the masonic symbolism is full of references to Jewish history and traditions. But what is still somewhat of a secret, is how Judaism and Freemasonry are actually versions of atonism. (Recommended reading: Akhenaton and the Hyksos kings)

The Cult of Aton was kicked out of Egypt after the reign of pharaoh Akhenaton, but it did not die or disappear. It just re-branded itself as Judaism and later on to many other splinter factions. Among the expelled Jews was the elite priestly class, who were highly educated on occult knowledge in the mystery schools of Egypt. The members of this esoteric brotherhood were called the Gaonim. They were the keepers of the esoteric knowledge - just as Freemasons are today. It's the Gaonim and their traditions the Freemasons originate to.

Still wonder why the masonic logo has the capital "G"?

G is for Gaonim

Yes, the masons claim the G stands for God or Great Architect. That's the exoteric cover-up story to hide the true meaning.

"The enigmatic Masonic insignia "G" stands for the Gaonim or elite Atonist-Judites who later disguised their order under the name Freemason. The Gaonim were made up of elite Pharisees and Sadducees, who worshiped female deities such as Asherah. The Sadducees were falsely said to have ceased to exist after the Romans decimated Jerusalem in AD 70. However they simply went underground, and as the Gaonim (and later Sabbateans) they have been aligned with the Setian-Atonists for centuries. Ordinary religious Judaism provides this occult sect with a perfect cover." - Michael Tsarion 

"According to Albert Pike the ithyphallic pillars Jakin and Boaz represent the two solstices of summer and winter. The globes represent the earth and celestial sphere. The black and white squares represent ignorance and knowledge, overworld and underworld. Knowledge has long been associated with light. The word knowledge comes from "Gnosis." The capital "G" is a sigil for occult knowledge and for the Gaonim - the Atonist Princes of Light. In their notion of reality, men are separated into those who are ignorant and those who are knowledgeable." - Michael Tsarion 

The word Freemason is actually a word play. It comes from the Egyptian words "Phre Massen" - the children of the Sun. Again, it's all about the Sun and the ancient Egyptian sun god Aton.

"We are informed by several distinguished writers that it (the word masonry) is a corruption of the Greek word 'MESOURANEO' which signifies 'I am in the midst of heaven,' alluding to the sun, which, 'being in the midst of heaven,' is the great source of light. Others derive it directly from the ancient Egyptian 'PHRE,' the sun, and 'MAS, a child: 'PHRE MASSEN'- the children of the sun, or Sons of Light." - Robert Hewitt Brown, 32nd degree mason (Stellar Theology and Masonic Astronomy)

"The so-called but misnamed "Jewish" co-conspirators who directed the operations of the Roman caesars and emperors, were Atonists. Specifically, they were leaders of the Order of Melchizedek (or Akhenaton). They were Pharisees and Sadducees of high rank, and keepers of the so-called "Oral Tradition" allegedly delivered to their ancestors at Mount Sinai. This quorum of sorcerers were also known as the Gaonim. In order to conceal their identity they began using the term Freemason meaning "Sons of the Sun." The capitalized letter "G" found on Masonic iconography refers to this super-secret Luciferian cabal." - Michael Tsarion (Irish origins of civilization)

The masonic square and compass are also of Egyptian origins. The compass represents the sky goddess Nut, and the square represents her counterpart earth god Geb. (See how Geb's body forms a square.)

Geb (laying on the ground) and Nut (the night sky arching over Geb)

It's important to understand, that common Jews have nothing to do with the Gaonim, or as some call them, the Judites. If you blame the Jews for everything, I'm afraid you are barking at the wrong tree. It's also important to understand, that common low level Freemasons have nothing to do with them either. We're not talking about common people, we're talking about "the Elite" - the people on the very apex of the power pyramid.

"The Gaonim have nothing in common with modern religious "Jews." Terms and appellations of this kind do not refer to the kind of sects or beliefs we might at first imagine. They refer to a caste of sorcerers descended from the corrupt solar cults (or Luciferians) of antiquity. Members of the British royal family are Judites, even though they belong to the Protestant religion. The Pope and his bishops and cardinals are likewise Judites, even though they belong to the Catholic religion." - Michael Tsarion (Irish origins of civilization)

G7 - wonder what the G stands for?

Another name for the Gaonim is the Princes of Masonry. This is the name 33rd degree Freemason Alber Pike used in his famous book Morals and Dogma for Freemasons at the very top of the brotherhood.

The three first degrees of Scottish Rite freemasonry (the most common rite) are called the Blue Lodge. Most of these people are usually ordinary people who joined Freemasons with innocent motives like personal spiritual growth or charity work. They do lots of good things to their community and are usually good decent people. 

But here's the trick: These good honest people will almost never rise to the top degrees. Why? Because the people at the top are cold, ruthless, corrupt and power hungry monsters who use the fraternity to their personal benefit. It's basically a club of psychopaths, who hand pick people from the lower degrees to join their club very selectively. They control who's in and who's out in their little "brotherhood inside the brotherhood".

In his book Morals and Dogma, the 33rd degree Freemason Albert Pike wrote openly how the masonic system is built to mislead and misguide the lower level masons, and how the people at the top - the Princes of Masonry - are the only ones who know what's really going on. 

"The Blue Degrees are, but the outer court or portico of the temple. Part of the symbols are displayed there to the initiate, but he is intentionally misled by false interpretations. It is not intended that he shall understand them, but it is intended that he shall imagine he understands them... The true explanation is reserved for the Adepts, the Princes of Masonry." - Albert Pike (Morals and Dogma)

"Blind" student of lower degrees

In practice, these Princes of Masonry are the 32nd and 33rd degree masons - the movers and shakers of the world. Their symbol is the masonic double-headed eagle. The motto of the 33rd degree is Ordo ab Chao - Order out of Chaos. By creating chaos, they keep things in order - in their order. 

Colin Powell, 33rd degree mason spreading lies at the UN to start a war.
Ordo ab Chao in practice.

33rd degree eagle and "Ordo ab Chao"

32nd degree eagle

It's no wonder the number 33 can be seen is so many places.

The House of the Temple, the HQ of Scottish Rite Freemasonry and 33 pillars

The american eagle has 32 feathers on the left and 33 on the right

The City of London (technically a city state outside of UK) and the other 32 boroughs of London

Star of David - two triangles = 33

Logos and letters

How to use letters as symbols.

In 2008 the government gave AIG $180 billion rescue package.

ING revenues in 2017: €17,7 billion

"Mom, why don't they spell it City Bank?"

CNN - the "trusted media"

CIA - the "trusted" intelligence service

MI5 - another "trusted" intelligence service

I Am East I Am West

I Am East I Am West (1999) is a statue by Pekka Jylhä in North-West Helsinki.  The Helsinki Art Museum introduction:

I Am East I Am West consists of a large gilt bird made of bronze that is attached by its wing to a column-like red-painted steel pipe. The piece is 5.5 metres high and the bird's wingspan is about 2 metres. The artist Pekka Jylhä (b. 1955) has described the work as follows: "This work of Environmental Art has emerged and developed from a life on the boundary between two cultures. In my childhood in Ostrobothnia, we lived between two strong religious sects separated by the Lestijoki river. Sometimes it felt like I was forced to live with two separate minds. On the other hand, the boundary was a no-man's land where the sects neutralized each other and life was freer and happier.

"An earlier version of this work is entitled Attack (Galleria Anhava, 1992) after Eetu Isto's painting of the same name from 1899. This earlier version consists of a two-headed black bird that symbolizes fear and danger. "I Am East I Am West is a golden (24 carat!) bird flying high in the sky, symbolizing the pursuit of cultural autonomy, like the flight of a bird that is free to choose its own route between two strong cultures. "The canal flowing into the Baltic, beside which the bird is about to land, is an important element of the piece." I Am East I Am West was unveiled on May 27, 1999. The work belongs to the collections of the Helsinki Art Museum.

I Am East I Am West

Notice the language of the introduction text. See how they avoid using the word eagle? Instead they talk about large bird.

Why? Because they are trying to cover the obvious fact, that this sculpture is as masonic as it can get. Beyond any doubt, this is the masonic double-headed eagle. The museum knows it, but chooses not to mention it.

Masonic symbolism: The Double-headed Eagle

The name I Am East I Am West refers to the origins of the masonic double-headed eagle - Roman emperor Constantine, the hero of atonism who used the symbol as he united East and West Rome. (Read more.)

The double-headed eagle of emperor Constantine (Byzantine eagle)

There is another statue of a double-headed eagle in Helsinki, located in the city center, called The Stone of the Empress.

The Stone of the Empress

Having a look of the map reveals something very interesting of these two masonic statues. If you draw a straight line between them, you can see how several statues are located exactly on this same line. There is the statue of President Risto Ryti (1), who was a Freemason, the tarot memorial of another Mason, President Urho Kekkonen (2), masonic Ilmatar and the Scaup (3) and the tarot statue of Aleksis Kivi (4). In addition, on that same line is an ancient prehistoric holy/burial site (5).

From left to right: I Am East I Am West, ancient burial site (5), Ilmatar and the Scaup (3), statue of President Ryti (1), Urho Kekkonen memorial (2), Aleksis Kivi statue (4) and The Stone of the Empress.

What are the odds of coincidence having all these statues, with Freemasonry written all over them, on the same geometric line between two statues of double-headed eagle? You do the math.

So what is this "line forming" all about?

"The Elite" believes in many occult arts, including ley lines ("archaic tracks"), geometric alignments, and the manipulation of Earth's energy grid. I know it sounds ridiculous to many, but it's really not that important whether or not you believe in it. Important is to understand that "the Elite" takes it very seriously. For them it's ancient occult science and a matter of great importance.

"Ley lines are hypothetical alignments of a number of places of geographical interest, such as ancient monuments and megaliths." (Wikipedia)

"Most cultures have traditions and words to describe the straight, often geometric alignments that ran across ancient landscapes, connecting both natural and sacred prehistoric structures together. Usually the names given to represent these invisible lines are translated to an equivalent of 'spirit', 'dream', or 'energy' paths. However, apart from the physical presence of the sites themselves, proving the presence of a 'connection' between them is something that researchers have found notoriously elusive." (ancient-wisdom.com)

On of the most famous ley lines: St. Michael alignment

It's an ancient art. It's not a coincidence one of the structures on the geometric alignment between the two double-headed eagles is thousands of years old burial site. And it's not a coincidence the burial site is right in the middle of these eagle statues.

The ancient burial site in Helsinki

The belief system behind this line forming is all about control. "The Elite" believes the Earth's energy grid has an affect on human mind and consciousness. By manipulating the Earth's natural energy grid, they believe they can manipulate the mind of the people. This geometric alignment in Helsinki is just one small example in one small city. Using geometric alignments with esoterically important structures in cities all over the world, "the Elite" believes they can affect the minds of the people in those cities.

So does it work? Well, let's look at this question from another angle: "The Elite" has studied and preserved the esoteric knowledge of the ancients for thousands of years. Would they go through all that trouble of building these alignments all over the world, if it didn't work?

You tell me.